Paintings, projections, VR Starry Night: can we ever know Van Gogh?

In 2017, I took a trip to Paris, where I greedily took in as much art as I could. In one of the cavernous chambers of the ornate Musée d’Orsay was the Vincent van Gogh exhibition, his framed works (“Starry Night Over the Rhône,” “Bedroom in Arles,” “The Church at Auvers,” a number of his self-portraits) set against a brazen sapphire background rather than the usual chaste white museum walls.

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