Beyond ‘queer’ fashion

Propped with his style crew against the putty-tone headboard of a lumbering, half-made bed, Nay Campbell was in his element. The setting was a blandly furnished room in the once-storied New Yorker Hotel on the edge of Hell’s Kitchen. An art deco monument that has seen better days, the hotel, with its pallid interiors and half-lit corridors, could have served as a backdrop for one of Andy Warhol’s louche, loosely rambling films.

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